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May 19, 4pm
Balourdet Quartet

Parish of All Saints
209 Ashmont Street, Dorchester

Balourdet pic2_edited.jpg

Mozart, String Quartet No. 15 in D minor, K.421 

Karim Al Zand, Strange Machines (2022)
Beethoven, String Quartet No. 7 in F Major, Op. 59 No.1 

The celebrated Balourdet Quartet produces both emotionally intense and intimate moments on international stages. Its unique closeness and willingness to take creative risks earned it the 2024 Avery Fisher Career Grant, as well as Chamber Music America’s 2024 Cleveland Quartet Award. . They are currently the Graduate Quartet in Residence at the prestigious Jacobs School of Music at Indiana University and are recent graduates of the New England Conservatory’s Professional String Quartet Program. The Balourdet Quartet  received the Grand Prize at the 2021 Concert Artists Guild Victor Elmaleh Competition, as well as prizes in international competitions including the Banff, Paolo Borciani, and Carl Nielsen competitions. They were also awarded the Gold Medal at the 2020 Fischoff National Chamber Music Competition and the 2021 Chamber Music Yellow Springs Competition. 

 

Ashmont Hill Chamber Music is pleased to participate in the Card to Culture program, a collaboration between Mass Cultural Council and the Department of Transitional Assistance, the Massachusetts Health Connector, and the Women, Infants & Children (WIC) Nutrition Program.

We offer $3 tickets to all concerts to EBT, WIC, and ConnectorCare cardholders. See the full list of participating organizations offering EBTWIC, and ConnectorCare discounts.

Violinist Randall Goosby with Project STEP violist Nathan Theodore, performing the Rondeau from Mozart's Duet No. 1 in G major for violin and viola, from our concert on February 13, 2022.        

"It was a treat to be in such intimate surroundings with the Borromeo Quartet . . Given the location within a stone’s throw of a Red Line stop, reasonably easy parking, and great acoustics, Peabody Hall and Ashmont Hill Chamber Music deserve repeat visits." 

Boston Music Intelligencer

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