The Bach Project
Violin Concertos and Chamber Music
Andrew Sheranian, Artistic Director
Susanna Ogata, violin
November 23, 4pm
Peabody Hall
209 Ashmont Street, Dorchester
Violin Concerto in A Major “Les Rainettes” — Georg Philipp Telemann
Orchestral Suite in G minor (BWV 1070)
French Suite in G Major for Harpsichord (BWV 816)
Violin Concerto in D minor (BWV 1052r)
Concerto Grosso in D major Opus 6 No 5, George Frideric Handel
Susanna Ogata's playing has been described as “warm, witty, responsive, making the tops of phrases gleam” (Gramophone Magazine), “warm and rich of tone” (Fanfare Magazine), and “electrifying energy, awesome technical command and rollicking dialogue” (Arts Fuse Magazine) where her performance was distinguished as a top performance of the season.
Mr. Sheranian has performed at major venues throughout the United States, Asia, and Europe. This year, he concluded a tour of Sweden and the United Kingdom with a performance at Westminster Abbey in London. Mr. Sheranian is the founding director of The Bach Project, a baroque ensemble aiming to perform the full spectrum of Bach’s music in performances in the greater Boston area.
Ashmont Hill Chamber Music is pleased to participate in the Card to Culture program, a collaboration between Mass Cultural Council and the Department of Transitional Assistance, the Massachusetts Health Connector, and the Women, Infants & Children (WIC) Nutrition Program.
We offer $3 tickets to all concerts to EBT, WIC, and ConnectorCare cardholders. See the full list of participating organizations offering EBT, WIC, and ConnectorCare discounts.
Violinist Randall Goosby with Project STEP violist Nathan Theodore, performing the Rondeau from Mozart's Duet No. 1 in G major for violin and viola, from our concert on February 13, 2022.
"It was a treat to be in such intimate surroundings with the Borromeo Quartet . . Given the location within a stone’s throw of a Red Line stop, reasonably easy parking, and great acoustics, Peabody Hall and Ashmont Hill Chamber Music deserve repeat visits."
Boston Music Intelligencer
